“Kay la Mache” (The Walk Home)
The serene Haitian countryside consists of houses typically made with mud walls and floors, and roofs constructed of corrugated metal or thatched with local grasses and/or palm leaves. The windows are often pane-less and covered with wooden shutters or colorful Haitian cloth.
Size: 20 x 24
“Yon Jou Nan Lavi a Nan” (A Day in the Life)
In many rural homes, the kitchen is located outside the living quarters and there is no electricity or piped water. Additionally, sanitation facilities often consist of a simple latrine dug at a distance from the house.
Artist: R. Lebrun
Size: 30” x 40”
“Kèk Travay Lap Fè Chak Jou” (Daily Chores)
The majority of Haitians utilize rivers and streams for bathing, laundry, cooking, and drinking. In rural areas, many Haitians retrieve drinking water from unprotected sources such as wells and streams, while Haitians living in urban areas obtain drinking water from bottled water, unprotected wells, or carts with drums containing water. Water in small plastic bags or bottles is treated and/or imported.
Artist: Samuel Saint Louis
Size: 20” x 24”
“Yon Sevis Ofrann Bet Kochon” (A Pig Sacrifice)
This painting depicts a Vodoo ceremonial sacrifice of a pig. Vodoo or “Vodou”, as it is known in Haiti and the Haitian diaspora, is the result of the pressures of many different cultures and ethnicities of people who were uprooted from Africa and imported to Haiti in the African slave trade. Under slavery, African culture and religion was suppressed, lineages were fragmented, and people pooled their religious knowledge and from this fragmentation became culturally unified. In addition to combining the spirits of many different African and Amerindian nations, Vodou has incorporated pieces of Roman Catholic liturgy to replace lost prayers or elements. This syncretism allows Vodou to encompass the African, the Indian, and the European ancestors in a whole and complete way. It is truly a Kreyòl religion.”
Size: 30” x 24”
“Ale Nan Bato L ‘” (Going to His Boat)
Murat Louis began selling his artwork in 1997 at a small shop in Pétionville, a small suburb in the northern hills of Port-au-Prince, Haiti . Using watercolor as his medium, he began painting Haitian village scenes in the 1960s with another Haitian artist. He has recently gained international recognition and is one of the few Haitian watercolor artists to achieve success. Murat hopes to expand his business by teaching “…children to paint so they can help their own families.” Murat supports his wife and growing family through sales of his paintings.
Artist: Murat Louis
Size: 20” x 23 ½”
“Timoun Lekòl nan Jwe” (School Kids at Play)
Although primary education is free and compulsory, only a small proportion of Haitian children attend school because of distance and availability of facilities and staff, and cost of uniforms and textbooks. The schools are typically private or church-administered institutions. Approximately three-fifths of the adult population is literate and the rate of illiteracy is higher in the countryside than in the cities.
Artist: Gaul Odvel
Size: 24” x 36”